Mary Willingham: the courageous and subversive act of pedagogic research

I hadn't heard of Mary Willingham until today. Her story has been the US education news for a few days now.

One of the risks of researching something is that you often find something out. When that research is into what actually goes on in a university the results can be unpalatable. Pedagogic research is often looked down upon, but in many respects it is the form of research that requires most courage.

Mary Willingham works in the Center for Student Success and Academic Counseling at the University of North Carolina, Chapel Hill. Over the course of her experience she came to notice that many student athletes were struggling with basic reading skills. She could have said nothing at all or merely harboured prejudice based on anecdote; instead her research into the reading levels of student athletes (and publication of the results) has brought condemnation from her university senior management, including according to CNN a demotion.

Those us in the UK (and elsewhere in the world) find it difficult to understand the concept of a university in which sports are such a great deal. Games are televised and watched by thousands of people. 80,000 plus seater stadia are not unknown. Athletics is seen as both a money spinner and community outreach. Some universities and college accept students who would not otherwise be qualified based on their abilities in particular sports. The [American] football coach is often the highest paid employee at the whole university. The Chronicle of Higher Education forums are a source of many stories about pressure from sports coaches to be lenient on students who have not done the work required or not done as much as they should.

But sports is not really my point here.

Mary Willingham’s experience illustrates that research into the activities of the universities, especially learning and teaching can be a courageous, even subversive act, which may have high personal costs. Real courage on the part of university management would be to encourage and applaud research into those things which happen every day in our universities.

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Over 100 things to think about when lecturing (from 1937)

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Today I have been thinking about lecturing. A couple of years back I was struck by Chekhov's short story “A Boring Story”, (1889) a first person account of an elderly and unwell medical professor, which includes his reflections on lecturing, which he regarded as something of a trial.

This morning I came across A Critique of Poor College Lecturing (1937) in which a psychology professor asked 300 students how he could improve his lecturing. The students came up with over 100 questions the lecturer needed to ask himself. Although somewhat daunting and clearly from a previous age of higher education there is much of value here. (The figures at the beginning of each point indicate the number of students who suggested this question or something like it).

James D. Weinland A Critique of Poor College Lecturing (1937)Journal of Educational Sociology , Vol. 10, No. 5 (Jan., 1937) , pp. 307-315 Article Stable URL: http://www.jstor.org/stable/2262152 Not open access 🙁

Regarding Subject matter

10.  Do  you  wander?

5.  Do you  stick  to  the  subject?

5.  Do  you  talk  over  the  heads  of  the  students?

3.  Is  your  treatment  too  complicated?

3.  Are  you  always  talking  of  general  theories,  never  specific?

2.  Do  you  lecture  too  technically?

I.  Is  your  subject  matter  poor?

I.  Do  you  believe  in  making  your  explanations  brief  ?

I.  Do  you  lecture  continually  on  the  same  thing?

I.  Do you  give  constructive  information  or  do  you  tend  to  confine your  criticism  to  destructive  ideas?

I.  Do you  sometimes  fail  to  speak  about  the  assigned  lessons,  allowing  the  class  to  wonder  what  it's  all  about?

I.  Do  you  arouse  curiosity  about  the  next  lecture?

i.  Do  you  talk  more  about  the  subject  matter  than  about  yourself?

i.  Are  you  original?

i.  Do  you  understand  the  subject  matter  yourself  ?

CLARITY  AND CONSTRUCTION

I4.  Does  your  lecture  have  unity  and  plan?

I4.  Is  your  emphasis  on  the  correct  or  wrong  part  of  the  lecture?

8.  Are  you  clear  on  the  points  discussed?

4.  Do  you  connect  your  topics?

2.  Do  you  make  clear  the  chronological  order?

2.  Do your  statements  have  clear  antecedents?

i.  Do  you  clear  up  each  topic  before  attacking  the  next?

I.  Are  your  phrases  jumbled,  incoherent?

i.  Are  notes  to  be  taken  down  announced?

I.  Do you  repeat  conclusions,  if any?

I.  Do  you  repeat  too  often?

I.  Are  you  too  slow  in  making  headway  in  presentation?

i.  Is  the  discussion  of  important  topics  too  rapid?

I.  Can  your  class  keep  the  pace  you  set  in  covering  the  work?

ATTITUDE  OF  LECTURER

12.  Are  you  enthusiastic?

I2.  Do  you  show  an  inferiority  complex?

8.  Do  you  have  a  feeling  of  superiority,  swelled  head?

8.  Do you  show  force  and  vigor?

7.  Do you  talk  hesitatingly,  too  many  pauses?

7.  Are  you  overearnest  and  overemphatic,  too  serious?

5. Do you  speak  with  notes,  as  though  reading?

4.  Do you  speak  in  a  formal  manner?

3. Do  you  speak  directly  to  the  class?

3.  Are  you  friendly?

2.  Are  you  interested  in  the  subject?

2.  Do you  speak  to  the  group  as  a  whole  or  a  selected  few  just  in  front of  you?

2.  Do you  adapt  yourself  to  your  audience?

I.  Are  you  so  interested  in  the  subject  that  you  expect  everybody  else to  be?

I.  Do you  act  as  though  you  wish  the  lecture  were  over?

I.  Do you  make  yourself  one  of  the  class  or  a  mere  talking  machine?

I.  Do you  feel  at  ease  and  make  the  class  feel  at  ease?

I.  Do you  act  as  though  you  were  very  clever  and  your  class  very dumb?

I.  Do you  smile?

I.  Is  your  appearance  correct?

I.  Is  your  bearing  sloppy?

I.  Do you  have  some  dignity?

I.  Do you  look  asleep?

I.  Are  you  absent-minded?

I.  Do you  take  yourself  too  seriously?

I.  Are  you  in  too  much  of  a  hurry?

I.  Is  your  manner  indifferent?

VOICE  AND EXPRESSION

58.  Is  your  voice  monotonous?

28. Do you  talk  too  fast?

23.  Do you  enunciate  clearly?

i6. Is  your  voice  loud  enough?

I2.  Is  your  voice  too  low?

8.  Is  your  voice  too  loud?

7.  Is  your  voice  raspy,  harsh?

4.  Is  your  manner  stuttering  or  uncertain?

4.  Is  the  tone  of  your  voice  unpleasant?

3.  Do you  have  vivacity  of  tone?

2.  Is  your  voice  shrill?

2.  Do you  lack  articulation?

2.  Do you  control  your  voice?

2.  Are  there  too  many  extremes  in  the  pitch  of  your  voice?

2.  Do you  fail  to  open  your  mouth  in  attempting  to  speak?

I.  Is  your  voice  weak?

I.  Do you  show  emphasis  with  your  voice?

I.  Do you  speak  too  slowly?

I.  Do you  speak  through  the  side  of  your  mouth  or  swallow  your words?

I.  Are  your  words  too  drawn  out?

I.  Do your  words  run  into  each  other?

I.  Do you  have  an  ascending  or  descending  inflection  of  voice?

I.  Do you  always  emphasize  the  same  part  of  every  sentence?

I.  Do you  speak  with  feeling?

I.  Do you  speak  continuously  without  a  break?

I.  Do you  "hem"  and  "haw"?

VOCABULARY AND VARIETY

7.  Is  your  pronunciation  correct?

7.  Do you  use  big  words?

7. Do you  slur  difficult  words?

5.  Do you  have  a  large  vocabulary,  variety,  and  can  you  find  the  right word?

2.  Do you  say  "ah"  and  "ugh"?

I.  Do you  use  flowery,  literary  language?

I.  Do you  repeat  pet  phrases?

I.  Are  your  sentences  too  long?

I.  Do you  use  many  big  words?

I.  Are  you  wordy?

I.  Does  your  vocabulary  distract  the  listener  from  the  subject?

I.  Do you  have  relevancy  in  word  power  to  situation  or  mood?

I.  Are  your  lectures  always  started  in  the  same  humdrum  manner,

such  as:  "The  lecture  today  will  be  on

I.  Are  your  lectures  memorized  or  the  result  of  a  thorough  knowledge of  the  subject?

ILLUSTRATIONS

23.  Do  you  use  good  illustrations-in  place?

4.  Do  you  use  new  examples  or  stick  close  to  the  book?

3.  Do  you  make  statements  of  fact  without  illustration?

2.  Are  your  lectures  stereotyped  and  monotonous  or  do  they  offer  an interesting  story  ?

I.  Are  your  examples  clearly  given;  i.e.,  their  connection  to  the  principle  explained?

I.  Can  you  write  legibly  on  the  blackboard?

I.  Do  you  rehash  the  book?

I.  Do  you  use  blackboard  illustrations?

I.  Are  your  blackboard  illustrations  clear?

I.  Do  you  keep  illustrations  up-to-date?

I.  Do  you  bring  in  curious  information  and  the  odd?

I.  Do  your  statements  leave  doubt  or  questions  in  the  minds  of  your  audience?

I.  Do  you  ever  relate  any  personal,  outside  experiences  of  your  own?

NERVOUS HABITS

II.  Is  your  body  position  correct,  head  erect,  do  you  speak  out,  use gestures?

6.  Are  you  nervous  or  shy?

6.  Do you  fiddle  with  objects,  twirl  your  watch  chain  around  your finger?

3.  Do  you  move  around  during  the  lecture  and  thus  keep  the  student's

eye  occupied?  (Best  to  move  around)

2.  Are  your  actions  such  that  interest  follows  them  instead  of  the lecture  ?

I.  Do  you  look  out  of  the  window  for  inspiration  while  lecturing?

I.  Do  you  stand  in  one  corner  of  the  room?

I. Do  you  have  disconcerting  habits  of  walking  about?

I.  Do  you  walk  up  and  down  and  so  disturb  the  attention  of  the  class?

I.  Does  your  constant  playing  with  chalk  distract  attention?

I.  Have  you  irritating  habits,  do  you  look  at  your  watch  too  often?

I.  Do  you  have  a  mental  handicap?

HUMOR

25.  Do  you  use  a  little  humor?

3.  Are  your  jokes  poor?

3.  Are  your  attempts  at  humor  painful?

I.  Do  you  try  to  be  too  funny?

DISCIPLINE

4.  Can  you  keep  order?

2.  Are  you  irritable  at  small  noises?

I.  Do  you  become  impatient  and  sarcastic?

I.  Have  you  noticed  the  temperature  of  the  room?

I.  Are  you  extremely  stern  in  disciplining  your  classes,  thus  making the  students  feel  like  kindergartners?

I.  Do you  scold  too  frequently?

I.  Do  you  sound  irritable?

I.  Are  you  fairly  strict  with  the  class?

I.  Do  you  continually  call  down  students  for  their  lack  of  cooperation?

I.  Do you  lean  toward  favorites?

I.  Are  you  too  lenient?

I.  Do you  give  too  much  "blarney"?

ATTITUDE  ON  QUESTIONS

5.  Do you  ever  call  for  discussion?

5.  Do you  give  an  opening  for  questions?

2.  Do  you  question  and  get  reactions  from  the  class?

2.  Do you  hesitate  in  answering  questions?

2.  Do you  answer  questions  immediately  or  wait  until  the  next  class?

I.  Do you  allow  any  one  person  to  ask  too  many  questions?

I.  Are  you  frank?

I.  Do you  try  to  answer  a  question  when  really  you  do  not  know  the answer  yourself ?

I.  Do  you  have  an  antagonistic  attitude  toward  questions?

I.  Do you  refuse  to  explain  points  unless  the  whole  class  so  asks?

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Happy New Year and update

2013 has been a year of positive and welcome change on the job front. On the home front things have been less than straightforward, and since September I have been a weekly commuter living in Brighton during the week and returning to Southampton (and the family) at weekends. Currently the situation is complicated further as our proposed house purchase in East Sussex has either stalled or fallen through completely. We decided to go ahead with the sale of our house in Southampton and just before Christmas my wife and I and our two sons has temporarily moved in with my parents—they are still in the family the home and have space for us, but being further away from Brighton than I started was not exactly Plan A. The move all took place very quickly and I have had to apply for a school place for my eldest son in my parents’ village. Moving twice (or three times) was the thing I wanted to do least but it seems that the way it’s going to be.

I’m not a victim in this of course. I am fortunate to have loving parents who are both willing and able to take us in for a short time. I have a good job I enjoy and have the advantage of the house sale in Southampton having done through making us ‘chain-free’ in estate agent parlance. My main gripe of the past few months has been cursing the English house buying system which allows either party the opportunity to pull out until the last minute. Despite this, my mental health has vastly improved over the past few months.

I’ve just reached this third paragraph aware that this is more of update on my own situation than a useful post for anyone else. I won’t over analyse anything and just leave it here.

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Ten useful things to remember when applying for HEA Fellowship­ (D1 and D2, Professional Recognition Route)

The following list is ten things I believe it is particularly useful to remember when applying for Fellowship of the Higher Education Academy, through the Professional Recognition Route. My thoughts are focused particularly on the  Associate (D1) and Fellowship (D2) levels though they apply to Senior (D3) and Principal (D4) as well.  Here at Brighton it is our aspiration that all teaching staff have, or are working towards, a recognised teaching qualification by 2015, and the HEA's Professional Recognition is likely to be the main route for more experienced academic staff.

  1. Remember the Fellowship is a teaching and learning in higher education award, not a qualification in being an academic. The Fellowships of the Higher Education Academy are concerned with teaching and learning in higher education. Other aspects of the academic role such as research, involvement in academic societies, administrations etc., may be relevant to the Fellowship application, but only in as much as they relate to learning and teaching in higher education.
  2. Remember the Fellowship is a teaching and learning in higher education award, and not a recognition for a long career. It is tempting to include everything you have done over the course of your career, but it is not a recognition for everything you have done over the course of your career. Teaching outside higher education and other work/ or outside work experience may be relevant, but only insofar that it relates to learning and teaching in higher education. This may involve leaving out the achievements of which you are most proud.
  3. Remember the Fellowship is a teaching and learning in higher education award, and not a reward for good character. Getting on well with colleagues, being liked and appreciated by others and being a helpful person are all good qualities. However, fellowships are not awarded for being a nice person or having people say nice things about you, but showing evidence of your learning and teaching practice.
  4. Remember to focus on teaching and learning in higher education. Other qualifications are awarded for teaching in (or learning to teach in) sectors other than higher education. These experiences may be relevant to your practice of teaching and learning in higher education, but they are not substitutes for learning and teaching in higher education.
  5. Remember that teaching and learning in higher education takes many forms. Academic development, developing teaching materials, pedagogic research in higher education and designing and delivering workshops are all suitable examples of teaching and learning and in higher education and supporting these activities. Assessment can be formative, as well as summative. Students can be colleagues or professionals as well as undergraduate and postgraduate students.
  6. Remember to explicitly reference the professional values, core knowledge and areas of activity in the UK Professional Standards Framework. These three areas of the UKPSF are central to the process and should be explicitly referenced in your application. Do not rely on the assessors to spot the relevance of each activity or case study to the UKPSF.
  7. Remember to be reflective. The fellowship application is not just about what you have done, but what you have learnt from that experience, and its impact on your future practice. 
  8. Remember to demonstrate that you are familiar with literature or theory on teaching and learning in higher education. Like any other scholarly field, there is a vast literature around teaching and learning in higher education. You don’t need to be an expert but evidence of engagement with the literature is important. This literature can ‘generic’ and/or specific to your discipline.
  9. Remember the Fellowship is an individual award. Teamwork is good, but the HEA fellowships are awards for individuals. If describing a team activity make your role clear. Be careful how you use the pronoun ‘we’ and how you write about “The department”, “The centre”, “The project team”, “My colleague” etc.
  10. Remember the references are an important part of the application. The referees you might choose when applying for a job are not necessarily the most appropriate for commenting on your teaching and learning practice. Think about which colleagues are best placed to provide your reference.

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What students value in teachers (from Stephen Brookfield)

Todays’ post is inspired by reading Chapter 4 of Stephen Brooksfield’s book The Skillful Teacher.

The Skillful Teacher. On technique, trust and responsivness in the classroom (San Francisco: Jossey Bass)
Stephen Brookfield (2006) The Skillful Teacher. On technique, trust and responsivness in the classroom (San Francisco: Jossey Bass)

What follows is a crude summary of the chapter entitled “What students value in teachers”. It is also inspired in the background, by a rather nonsensical article (in my view) in a recent ‘Comment is Free’ post in the Guardian entitled “Why do private schools attract the most memorable teachers?” This view is mostly backed-up the fact that Alan Bennett’s ‘History Boys’ has been voted Britain’s favourite play. The piece then goes on about as other teachers from fiction, yes fiction.

I am firm in my conviction that there are great teachers in all sorts of schools at all levels. Just because I attended a comprehensive school and have failed to write an award winning play centring on a character loosely based on one of my school teachers does not mean that I had no great (however defined) teachers. (Reminding myself write a piece about grammar schools in the near future).
To return back to where I started, to be valued by students Brookfield identifies two main attributes of skilful teachers, credibility and authenticity. These can be broken down into further categories:

  1. Credibility
    Having expertise about the subject
    Being experienced in what you are teaching about.
    Rationale: Being explicit about assumptions. Not sounding like you’re making it up.
    Conviction: Coming across as people teaching something important.
  2. Authenticity
    Congruence: This is congruence between our words and actions. Brookfield gives the example of claiming to value critical thinking, yet shutting down any sense of debate.
    Full disclosure: Making your criteria, expectations and agendas clear and explicit.
    Responsiveness: I suppose we could call this one responding to student feedback (not the same thing as capitulation).
    Personhood: Boing a real person with a life outside the classroom and not be an “institutional functionary”.
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A weak conscience about today's strike

I dislike strike days. I don't like to admit to being on strike. I don't like to admit to not being on strike. I reason that I am actually very well paid by the standards of most people in the UK. I also recognise that many people in the university sector are not quite so fortunate, whether they be the admin staff, the porters, or those academic colleagues on short-term contracts or how are paid by the hour-- in some universities on zero hours contracts.

My first real encounter with strike action took place back in 2003 or 2004. Although not enthusiastic about the strike I agreed to man a picket line. Getting abused by an elderly man complaining about council tax was not a high point, but watching colleagues cross the picket line was a particularly difficult experience. If they actually opposed the strike action, I wouldn't have minded. However the colleagues were going in to teach classes as to not disrupt student learning, yet promising to tell the university that they had been on strike. A strike which does which has no effect on anything is hardly a strike.

Many academics will be on strike today doing research. They reason that research is their own private project and not the universities. I don't buy into this reasoning, but I can sort of see how this might justify getting a research day in when this wouldn't otherwise happen. Either way I remain I'm unconvinced that strikes in higher education actually make a difference in the longer term.

So what have I being doing today? Am I on strike?

I've read an academic paper.
I've helped the owner of a small business with setting up her website.
I've written this blog post.
I've attempted to write some other stuff, but feel a bit of block.
I had no meetings or classes timetabled for today, so I reason no one was inconvenienced by me staying at home.

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List of stuff I give the world for free

I attended an interesting discussion about open learning led by Jon Dron from Athabasca University in Canada. We discussed open access, open learning in various forms, open educational resources and open source software.  We also discussed why we do, or do not give away our knowledge, time and resources for free. (I’ll leave the ‘why’ for another post).

I am a big user of free software and, of the most part, a recipient of rather than a contributor to the various websites, blogs and forums providing knowledge about its use. However I provide a lot of my stuff for free. This is not to make any comments about its quality.

  1. This blog: Not that one would expect blogs to be anything but free to access, but I like to think some for my posts cause others to reflect on their practice or solve a particular problem. 
  2.  A database on open access articles about the teaching and learning of languages (YazikOpen). This directory is kind of “out there”. Most people see to be led to it through Google as far as I can see. I’ve had thoughts at various times about whether it is worth the effort to maintain it, but a handful of people have said nice things about it.
  3. An online introduction to statistics book aimed at students in humanities. A project with which I’m still fiddling. Wondered whether or not to have a forum.
  4. Teaching and Learning resources out together over the years mostly linked to my account in the humbox.
  5. Various open access publications, plus short articles on other websites.  
  6. The outcomes of projects I have contributed to, never intended to be anything other than openly available, notably Getting More Out of the Feedback and Sharing Practice in Enhancing and Assuring Quality.
  7. I post anonymously on a couple of forums.
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